![]() After refining these six songs on her own, she brought together Der and drummer Stephen Bennett to record the EP at Bennett’s studio in Brampton, Ontario. She holed up in Saskatoon to write, the negative temperatures seeping their way into the compositions even while her indelible warmth radiates throughout. “But it’s also about how some people see women as being made for having children, something I don’t even necessarily want at this point.”īobbitt found herself in a serious cycle of introspection during the pandemic, having just decided to leave the jazz program at Humber College and focus on her own music. “It’s all about this body that I have, suffering from the migraines I’ve inherited from my mom,” Bobbitt explains. The song’s talk of wasted potential and frustrated connection, meanwhile, tap into another life cycle. “They say the body’s just a thing to house the mind/ But mine keeps betraying me night after night,” she sighs, as collaborator and co-producer Justice Der laces in an arcing electric guitar. On the opener to The Ceiling Could Collapse, “More,” Bobbitt combines the thrills of those inspirations via tightly woven layers of vocals and empty late-night highway pacing. “I’m grateful it ended when it did, because it gave me time to step back and think about what I wanted to create for myself.” “It was exciting to be doing what I loved, but it was difficult to be observed by that many people at that age where I simultaneously wanted to just shut myself in,” she says. But as her profile rose, Bobbitt found herself overwhelmed rather than inspired. The young Canadian digested a wide range of music, from Frank Ocean to Leonard Cohen, Elliott Smith to My Bloody Valentine, and began incorporating those influences into original songs. “That could be physical pain, emotional pain, familial pain, but it’s there in cycles.” On her piercing and profound new EP, The Ceiling Could Collapse (due July 15th, 2022, via Fantasy Records), Bobbitt picks through the dizzying rubble of folk and indie rock for moments of resonant emotion and frames them in heartbreaking lyrics and openhearted expanses.īefore reaching this particular iteration of her musical journey, Bobbitt made a name for herself on Vine as a teenager in Nova Scotia, uploading covers of pop hits and all-time classics to the now-defunct social media site. “Every woman I’ve ever talked to is in some amount of pain almost all the time,” the Toronto-based singer-songwriter says. ![]() Rachel Bobbitt knows that the bottom of those cycles can feel pretty chaotic. Life runs in rhythmic loops, from the endless rotations of the earth to the running of tides and yearly rebirth of spring.
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